Anna invites her daughter who has Down syndrome to the tableaux through a series of double self-portraits in which they perform everyday acts around their home. At first glance he seems to open a window into their reality yet she is guarding their integrity using her returning gaze image after image to question the viewers' intentions. Because she believes in the connective power offered by the depiction of domesticity, Anna Grevenitis hopes that Regard helps the audience rethink some of their assumptions about people living with disabilities and in turn offer this underrepresented community some new visibility.